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The association of 9 producers of Pomerol wines called Pomerol Séduction have partnered with noses Camille Goutal and Isabelle Doyen of Annick Goutal parfums to offer a special limited-edition wine-tasting coffret which launched on July 1st, 2010...

The coffret is made available in 330 copies. It contains nine 10 cl samples of 9 Pomerols from 2006 "bottled" in glass tubes named WIT.

It has been underlined that this is the first time in their history that Pomerol wines come in samples. The producers hope to attract a younger clientèle by so doing. 

The contribution of Isabelle Doyen and Camille Goutal is to have tasted the wines in the collector coffret to come up with olfactory interpretations of them. They offer a written analysis of the Pomerols pretending those are perfumes.

A summary of the result in French:

"- le Château Petit-Village aurait des notes de myrrhe et de sureau,
- le Château Clinet de cassie et de Gaiac,
- le Clos du Clocher de benjoin et de sureau,
- le Château Rouget d'iris et de gurjum,
- le Château Gazin de mousse de chêne et de cèdre Atlas,
- le Château Mazeyres de vétiver et de bourgeon de cassis,
- le Château Beauregard de styrax pyrogéné et d'osmanthus,
- le Château la Conseillante de cire d'abeille et de géranium,
- le Château Vieux Maillet de l'extrait d'essence de carotte et de feuille de violette.
Enfin, pour Camille Goutal et Isabelle Doyen, le fil rouge des 9 vins de Pomerol Séduction serait l'absolue Boronia (extrait de la fleur d'un arbuste australien)."

Price: 75€

Shopping addresses: vins-fins.com; Lavinia in Paris; Badie in Bordeaux; Etablissements Martin in Saint-Emilion; all 9 Pomerol Séduction properties.

Via Vins et Tourisme en France






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Makeup artist Sue Devitt, who hails from Australia, will launch a new, limited-edition fragrance entitled Golden Temple Effusion inspired by her love of travel and encounter with the religious temple architecture of Thailand.

The scent, which was developed by IFF, is the olfactory interpretation of an "...early-morning mist rising from Thailand's bamboo forests,"...


The composition includes notes of rainforest woods, wild lily and red berries, which makes it another perfume yet to add to the Lily Trend this fall together with YSL Belle d'Opium, Calvin Klein Beauty, Mary J. Blige My Life.

The Golden Temple Effusion Eau de Toilette is the debut effort by Sue Devitt to associate a perfume to the launch of one of her makeup collections. This fall, it is a companion to The Golden Triangle Collection. Devitt said that she plans to go on with this approach,

"I'd like to continue to develop fragrance for each collection because it is part of the beauty process,"

The Golden Triangle Collection features "a lash-enhancing mascara ($49) available in black, dark brown and green black; an Eye Intensifier Pencil ($22) in green black, and a Silky Eye Shadow ($18) in rainforest green, deep charcoal and golden olive. There are also limited edition offerings such as eye, lip and cheek highlighter ($22) in golden neutral and Lip Enhancing Gloss ($22) in golden."

Price: $65 for 1.7 fl. oz.

Shopping address: Barneys New York

Launch date: this week

Via WWD


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British designer Vivienne Westwood is paying homage to Lewis Caroll's Alice in Wonderland this fall with a new perfume called Naughty Alice which will debut in late September 2010. We are told it "references magic and mischief."

The couturière's talent had already been put to contribution on the day of the world premiere for Tim Burton's Alice in Wonderland when the cast decided to don on quirky Westwood designs...


The fragrance was composed by perfumer Bruno Jovanovic (Idole d'Armani; Porsche Design the Essence; CKIN2U for Men; Biotherm Force, and more...)

Naughty Alice is described as a comforting musky-floral featuring notes of black rose, carnal violet and ylang-ylang.

The bottle comes with a charm bracelet bearing the crown logo of Vivienne Westwood.

Prices: £35; £50; £60

Shopping address: hervia.com





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Sensuous Noir by Estée Lauder ($48; $60) is the latest feminine launch by the beauty company. It arrives on the market two years after the original Sensuous which was seen as a move to step back from the floral portfolio at Estée Lauder and ride on the woods trend for women. According to the press release, the idea behind this new iteration is the following,

"Sensuality as an experience and as an emotion has a very broad spectrum of expression. There are many moods, many facets, many shades of sensuality, which range from the more luminous expression of Sensuous to deeper, darker, more mysterious expressions," says Karyn Khoury, Senior Vice President of Corporate Fragrance Development Worldwide, The Estée Lauder Companies Inc. "This concept of further exploring a darker, more mysterious olfactive territory and deeper shades of sensuality inspired the creation of Sensuous Noir."

Notes: Exotic purple rose, night blooming jasmine, rose essence, black pepper / melted woods Nature Print, crème noir, richly faceted, earthy and elusive Patchouli Prisma, spiced lily / benzoin, creamy vanilla, rich honey, glowing amber.

The fragrance opens on a honeyed woody impression which quickly becomes more animalic and musky. There might even be a hint of leather, an illusion which can be created by a benzoin note. The fragrance after letting out these facets settles for a more linear mode. The composition then gently deepens, becomes more tangibly woody-buttery, thus reconnecting with the signature accord of its forebear, Sensuous (2008).

The woody accents this time combine the famous "molten woods" sensation with drier, dustier notes of wood evoking cedar and later sandalwood in the drydown. The alliance of musk and cedar together with light florals is particularly felicitous and pleasurable to smell. It recalls flower beds fertilized with cedar wood chips to my nose.

The scent is warm and welcoming. The honey is soft. The amber betrays a hint of water so as to acknowledge the taste for freshness and in order not be polarizing. The woody accord is centering...



Sensuous Noir succeeds in prolonging and pushing further the idea of a mainstream woodsy fragrance for women, the original motivation behind Sensuous. The progress can be felt in the evolution from comforting woods drenched in butter to the same but with more distinctive woody accents sticking out from the lava of woods. 

Regarding the "noir" motif, if you think of black or another dark color, Sensuous Noir does not contradict you and accompanies your thoughts but I would not say that the fragrance readily evokes the color black. A hint of black licorice and a caramelized note contribute their tonalities to the "noir" sensation but only in retrospect. They are not bold enough to impose their presence from the get-go.

The perfume is relatively, perhaps even surprisingly light, considering its suggestive name and the list of fragrance notes which invited you to think of a much more daring and narcotic composition what with night-blooming flowers, crème noir and purple rose notes. It is really a light, wearable noir scent where the dark intensity can be felt only in contrast with a bright sunshine-y day.

As I was observing when reviewing Mary J. Blige My Life the other day, the rule-of-thumb of designer fragrances, which is to aim for a blended-in feel rather than one with shocking proportions, is verified here as well.

Having said that however, and once your expectations get lowered, Sensuous Noir does smell dark. The spicy-lily note is quite perceptible in the mix. But the scent remains overall quiet and unobtrusive. Despite its labeling as a "woody floral chypre", it lacks the projection of this kind of perfume morphing instead into a skin scent. It is a perfume with the feminine workforce in mind. It is not an outrageously seductive concoction.

Compared with the original Sensuous, Sensuous Noir is paradoxically less forceful in its impact, more subtle, not that Sensuous was invasive. I find that the characterization "intensely rich, seductive" offered in the ad copy is not really adequate. This view expresses more the desire of such an experience than the reality of it. The cue we get from patchouli to think of the scent as nocturnal is more a suggestion than a full experience.  The Patchouli Prisma is not heavy at all. It is on the contrary a bit airy, incense-y.  If the floral notes are darker than in Sensuous, they are not Gothic but rather dressy and sleek like an Yves Saint Laurent black smoking for women.

A true flanker, Sensuous Noir will appeal to fans of Sensuous who will enjoy finding the same signature accord but with a new, spicy twist. It abandons the crunchy, fruity green nuances of jasmine petals that were in the original, which retrospectively one can see created an interesting, more daring contrast in the midst of a warm composition evoking "a river of molten woods." 

In my eye, the composition fulfills the mission of consolidating the Sensuous olfactory signature in people's psyches rather than being interested in creating a truly noir atmospheric theme. It is a great scent for conservative souls, not so much for people seeking novelty, a sentiment which would be reinforced by the presence of a rose-patchouli accord, only made dustier, a popular standard these days in perfumery.